Friday, April 13, 2012

TEACHING

[Picture of me dressed as a Geisha for our Chinese Japanese lesson]

     I retired four years ago after a forty year  career teaching English/Language Arts.  I still study. I am taking French classes and listening to French speakers on television and CDs. Although my family’s ancestry is French, they spoke a Louisiana dialect of French, much like Canadian French.

     This week I began my fortieth piano lesson. Although I played flute and piccolo in middle and high school and can read music, this effort is one of the most challenging of my life. Playing different notes and different rhythms with each hand and reading treble and bass clef at the same time is very difficult. I played my first jazz piece this week, and I thought the synapses in my brain would explode.

     Do I miss teaching? Yes, I miss the daily dialogue with young people. I miss their candor, enthusiasm, intelligence, sincerity, and those teachable moments. I miss seeing their faces light up when I asked their permission to read their PROSE MODELS [excellent, well thought out writing assignments] to the class.

     I miss my classroom: the painted ceiling tiles, the Mardi Gras masks, the comic strips students created, their poetry, web pages, song lyrics, their original music and lyrics, and plays that represented their interpretations of literary works we studied.

    I believe that every student has an individual intelligence. Some are left brained and mathematically or technologically gifted; some are right brained and creative or musically inclined; some are gifted creating with their hands, and many think out of the box. Those talents are gifts, and I made every effort to give students opportunities to improve their grades by creating EGOs [extra grade opportunities]. A student who had difficulty conceptualizing a literary work on a writing assignment, one who had extreme test anxiety, or those who had stage fright when speaking to their classmates had opportunities to demonstrate their individual intelligences.

     My teaching experiences were exciting, memorable, and frightening. I taught in fourteen schools in three states, moving from one to another to gain experience and expertise.

     During my first year of teaching, I was assigned to teach in a rolling classroom [a trailer]. As I walked around the room helping students to conjugate verbs, I fell through the floor. My students raced to help me. I calmly told them to return to their seats and to continue conjugating the verb PLUMMET. I managed to climb out on my own, dust off my ensemble, and resume teaching the lesson.

     My first effort to adjust to a new school was to gain the trust of the custodians who felt alienated from educated professionals. They fed me invaluable information about other faculty members and school administrators. They offered to help me after school on the days I worked late into the night. They told me stories about student transgressions. Bruce, the head custodian at a high school, stuttered. I asked him how he liked his job. He told me that one afternoon when he cleaned the bookkeeping room after school, he heard strange noises near the computers. He haltingly told me that two students “were ri-ri-ri-ridin’ that train.” I didn’t understand what he meant until I heard that song lyric on the radio. I was quite certain that cleaning classrooms was not his greatest challenge.

     In the seventies, I taught in a high school where no classrooms had interior walls, an experimental educational theory pilfered from California educational gurus. Classrooms were bordered with green chalkboards mounted on wheels. On the other side of the chalkboard, a drama teacher dressed in leotards lay on the floor to demonstrate breathing techniques to her students. She told them to BREATHE. My students heard the word BREED. Every male in my class asked to observe the class next door. I reminded them that drama was a very difficult, enervating, strange elective.

     I was assigned restroom and hall duty between classes in the same school. I smelled an odor like burning rope emanating from the girls’ restroom. I walked in, checked each stall, and realized that students had been smoking something funky. I summoned the principal who told me that unless I saw students with a lit cigarette in their possession, he could do nothing. He noticed the odd smell and asked custodians to remove the ceiling tiles. They found a huge stash of marijuana hidden in the ceiling. Now I knew why some of my students’ eyes were glazed and bloodshot and why they told me they were starving.

     One year our senior class glued all the classrooms doors shut so no one could gain access. Another time they hid mice in a school closet and released them during a class change. I stood on top of my desk and gave students permission to do the same. Another year they stole the Ronald McDonald figure from a local McDonald’s and placed it on the school roof. Innocent pranks.

     The year I taught American Literature, I reviewed Hawthorne’s THE SCARLET LETTER. After leading students in a discussion of important symbols in the work, I rolled down the movie screen then walked to my desk to retrieve my copy of the text. The class’ raucous laughter befuddled me. I turned to look at the screen and someone had taped a picture of a scantily clad, buxom model to the movie screen with the name HESTER PRYNNE written in bold letters on the image. I remarked that had Hester Prynne looked like that, she would have been drawn and quartered. My education professors did not teach a strategy to deal with that situation.

     I could write a book about my exciting teaching experiences.  If I were asked to advise a beginning teacher, I would say that a sense of humor is essential.  If you care enough to make students laugh and you laugh at yourself, you will establish a climate of trust in the classroom. Humor is a universal language.


Friday, March 30, 2012

On Death and Dying

     I hit the Favorites button on my phone this morning to call my mom, a daily ritual I established over the past few years. I listened to the message, “This is not a working number; please check the listing.”  I know she’s not there, but the reality is too real. So I pretend.  She is on a trip somewhere with Dad. She will collect lots of travel brochures and write a paragraph in her journal every day.

     I want more than fleeting memories. Everything I took for granted seems so ephemeral now, and seemingly insignificant things carry so much meaning. . . the scent of Toujours Moi, a fuschia hand towel, the bench she sat on to primp, a delicate camellia.  

     I know her attitudes, values, and mannerisms are in me. Her aphorisms ring in my head: “Keep up appearances….Offer it up [to the saints in Heaven]….Early to bed…..”

     I want to hear the intonations in her speech, see her perfectly coiffed, dressed and bejeweled in purple. I even miss her challenging habits…that forever and a day grace before meals ending with a litany of every deceased person in our family, her constant demand for attention, and her persuasive talent of coaxing [manipulating] people to follow her agendas.

     Condolences imply that death has advantages. “She’s in Heaven with your dad…; she’s in a better place; her suffering is over; brighter days will come; she looks good [in the coffin].”  Really?

      The reality sets in as I look at her for the last time, just as the viewing of the body is ended. I worry about how cold she is and hope she is aware of the beautiful flowers and the grieving mourners.

     I am beyond grief and tears when I hear my five year old great niece ask, “Who’s that?” as she stares at the body of her great grandmother. Out of the mouths of babes….

     What is the prescription for the loss of a mother? Elisabeth Kubler-Ross lists a progression of stages we travel through after the death of a loved one. I prefer to remain in the denial stage a bit longer.

Thursday, February 23, 2012

Anna Mae Vaughn Dugas September 23, 1924-February 16, 2012












My 87 year old mother, Anna Mae Vaughn Dugas, died last week. I grew up in the Village of Loreauville, Louisiana, USA, population 997, three numbers short of being classified a town. Our Dugas family consists of seven children, six females and one male, ages 49 to 65.

My sisters Wanda and Mercedes still live there. Our sister Cindy died a few years ago, a short time after the death of our Dad. Willette lives in Breaux Bridge, Louisiana, USA; my brother Tommy lives in Vienna, Virginia near Washington, District of Columbia, USA; and I live in Marietta, Georgia, USA. Someone described our family as an estrogen war zone.

The following message is directed to the people of my hometown of Loreauville, Louisiana:

Everyone who loses a parent loses the family anchor. Loreauvillians have unique situations, because many of your nuclear families still live near you. So, for those of us who live away, your desire to maintain connections is very meaningful.


Thank you for your condolences, both public and private, and your attendance at Mom's wake, funeral, cemetery ceremony, and celebration of her life at our family home.


My two children, Braden, 40, and Alicia, 35, are fluent in French. At the wake, the viewing of the body before the funeral mass, they were mesmerized by the recitation of the rosary in French by the Catholic Daughters, an organization of women dedicated to prayer, devotion to the saints, service to the community, and all things Catholic. I explained to them that their grandmother was the last living founding member of the Loreauville Catholic Daughters.

Many of you could not attend the funeral because it was held on a workday. I know you realize that the pastor of St. Joseph's Church, Father Buddy Hebert, is a godsend to the Loreauville community.

He delivered an uplifting, poignant homily. He eulogized Mom as she should have been described, a three dimensional character: personality, inner character, and actions.

Father Buddy spoke about his first time conducting Sunday mass in Loreauville. Mom waited to speak with him at the conclusion of the mass. He realized from that moment she was going to be a significant, formidable, and challenging person in the Loreauville community.

As he spoke, I pictured my Mom's soul being carried to Heaven on angels' wings. And throughout that journey, she lectured them on angelic behavior.

I will miss her, but her legacy of faith, community service, and dedication to family will live on in our memories.



Friday, January 6, 2012

Talia and the Nutcracker December 2011


The week before Christmas, I took my nine year old granddaughter Talia to see The Nutcracker at the Fox Theater in Atlanta.
I watched her dress up in the holiday outfit I bought for her to wear to the performance. She hoisted up a long sleeved, black taffeta dress from the floor to her shoulders. The skirt had a stiff tulle overlay. Then she put on a sleeveless back fur vest and red sequined shoes. I brushed her long, brown hair into a side pony tail and clipped on a red sequined barrette.

We arrived at the Fox at 1:00 p.m. for the 2:00 p.m. performance. A huge crowd milled around outside near the box office and inside the lobby: parents carrying small children, grandparents with grandchildren in tow, groups of young students, and adults wanting to generate some Christmas spirit.

We maneuvered our way through the crowd surrounding the gift shop. I wanted Talia to select something significant that would recreate the memorable performance she was about to see. Her eye caught a sparkling Nutcracker ornament suspended from a red and green ribbon hanging above the display case. She told me she wanted to hang the ornament on the miniature Christmas tree in her bedroom. I hoped that the ornament would be a yearly reminder of this day.

As we moved toward the theater entrance, we stood for a few minutes to listen to a child choir sing Christmas carols. Surrounded by Christmas trees decorated with colorful lights, the holiday music, and a crowd dressed for the occasion, I could sense Talia’s excitement.

After settling into our seats, I gave Talia some background about the performance she was about to experience.

The Russian Stahlbaum family has a Christmas Eve party. The children, Clara and Fritz, dance around as they await the arrival of their godfather, Drosselmeyer, a toymaker. He gives Clara a Nutcracker which becomes the hit of the party. Fritz, her brother, receives a drum. Angry that Clara receives a better gift, Fritz yanks it away from Clara and breaks it. Their godfather waves a handkerchief and the Nutcracker is magically restored.

As the family goes to bed, Clara sneaks downstairs and falls asleep holding the Nutcracker in her arms. At midnight, magical things start to happen. The toys come to life and an army of mice battle them. The Nutcracker fights the mice, but they capture him.
In the land of Snow, the Nutcracker turns into a prince, and takes Clara to a winter wonderland, then to the Land of Sweets, where she meets the Sugar Plum Fairy, who performs six dances.
At this point, Talia begins to hum the familiar music from the dance of the Sugar Plum Fairy. I tell her that the story ends when Clara wakes up from her dream holding the Nutcracker.
As the performance begins, Talia whispers to me, “Grandma, I’m so excited! This is my first ballet!”

Milestones in life create memories. I told myself when Talia was born, that I would endow her with memorable experiences.
Yesterday, we spent the entire day placing holiday pictures of her in albums. Over the years, we have put together picture albums depicting every year of her life.

She’s growing into a beautiful, intelligent young lady.  I know that as she grows older, she may distance herself as young people do when they become more independent and fill their lives with many activities. I am going to try my best to keep her grounded. She may not realize the value of these experiences with Grandma until she’s an adult. But when she does, she will understand the significance of time over toys.


Saturday, November 12, 2011

LSU FOOTBALL 2011

I never thought football would fire me up, until I tagged along with LB this year to watch LSU football. I was a fair weather fan until LSU’s phenomenal rise to number 1 rank in the SEC. Until this fall football season, I thought SEC was an acronym for the Securities and Exchange Commission. Did you know that the SEC is the toughest conference in college football? Did I mention that LSU is ranked number 1?
Most games we watched in sports bars in Atlanta and on our annual leaf watching fall trip to the Smoky Mountains. A winning season for a home state team is an interesting phenomenon.
Some really nice guy sitting next to me at an LSU game LB and I viewed at Taco Mac explained that Southeastern conference football is a college athletic conference operating in the southeastern part of the United States. I felt inept at that point. When he started to subdivide NCAA, FBS, Division I-A, I felt like I was back in Trig class. I politely remarked that I appreciated the information, pointed to the big screen television, and yelled, “A touchback!” I have no idea if that is a good or bad play, but I have heard this term used by sports announcers. His eyes were glued to the screen. I hoped there was no replay.
Since my interest in football has peaked, I have learned some ridiculous terms used in games: birdcage, blind side, blitz, clothesline, down and out, flanker, mousetrap, and pylon . . .  [ are you kidding me!] and the term most used by sports announcers: penetration. Count the times that term is used next time you watch a football game.
The LSU-Kentucky game, 35-7 LSU reminded me of a football weekend game in Baton Rouge that I attended in the 60’s with some very good friends. This fifth game of this season was played in Tiger Stadium. I remembered the fans booing the return of quarterback Jordan Jefferson who rejoined the team shortly after his suspension following an arrest for second-degree battery. Coach Les Miles, the Mad Hatter, seemed visibly upset by the fans’ reaction.
I really like defensive back Tyrann Mathieu, not only because his name sounds French, but also because he knocked the ball out of the Kentucky quarterback’s hands, picked it up, and ran 23 yards for a touchdown. That’s called a forced fumble. LSU scored 21 points in the first quarter, very embarrassing for the Kentucky wildcats. Tiger bait. Score: 35-7.
LSU’s win 41-11 over the Florida gators in the sixth game of the season was another embarrassing loss. LSU quarterback Jarrett Lee committed no mistakes according to someone. Florida seemed to make a lot of mistakes. Perhaps Jordan Jefferson redeemed himself when he added a touchdown toss on a jump pass early in the fourth quarter.
LSU-AUBURN 45-10 eighth game of the season.. To all my friends who are Auburn fans--HOOAH. It was a rough week for them when they took a beating. Guess it’s not yet their time to return to the mountaintop.
And my favorite game, LSU in Tuscaloosa wins against the University of Alabama Crimson Tide. Nick Saban, I understand, coached LSU to a national championship in 2003. Then he left to coach the Miami Dolphins. Aren’t they a professional team? Why yes, they are. He left the Dolphins to coach Alabama. In his fifth season, Alabama was ranked second in the country; LSU first.
Do LSU fans hate him? Do they view him as a turncoat? I think this win against Saban meant a great deal to LSU fans.
This game had lots of field goals. You gotta love that cutie Drew Allemand who kicked a 25 yard field goal in overtime to lead LSU to a 9-6 victory. He is now the poster boy for field goals, I suppose, because Alabama missed four field goals and threw a goal line interception. I kinda felt sorry for the Bama fans who sat in stunned silence after that last play. I know it takes a team to win a game, but isn’t Allemande a hero to LSU fans? I like him. Sha bebe!
LSU-GEORGIA 41-11----Nuff said.
Did I mention that I wear my rhinestone LSU shirt to every location we watch LSU play? Today I carried a folding chair bearing an LSU logo to my granddaughter’s soccer game. The LSU flag waves at the front door of our house. And LB flies LSU flags in his car windows. It’s almost overkill. I am reminded about the time the Saints didn’t play very well and Louisianians called them the Aints. Heaven forbid this fate on LSU.
We watched the Georgia-Auburn game earlier at Taco Mac. Tonight we watch LSU-Western Kentucky at home. I have no idea how Western Kentucky ranks because I have never in my life heard of them. I saw in the sports section today that they are called the Hilltoppers. I can’t wait to see what their mascot looks like.
“The stakes will be much higher this weekend when Georgia (7-2, 4-2 Southeastern Conference) takes on the Tigers (6-3, 4-2) in the Deep South's oldest rivalry. The Bulldogs are leading the SEC East and can claim a spot in the league championship game by winning their next two games against Auburn and Kentucky.” Okay, I copied that statement from an online data base.

 I have no idea what this convoluted prediction means for LSU. I just hope I get to wear my LSU shirt to the grocery store if they win the game against the winner of the SEC East.

Geaux Tigers!

[BTW--Does anyone know why Les Miles eats grass while he coaches?]




Friday, October 7, 2011

WICKED the Musical

I first saw WICKED the Musical at the Oriental theater in Chicago in 2005. Although I knew a bit about the story behind the musical, I was mesmerized by the twist on the WIZARD OF OZ story particularly, from Elphaba’s point of view. WICKED starts where the WIZARD OF OZ ends.  It is the story of a smart lonely young girl’s journey through rejection, love, and hatred. She is portrayed as the dark side of the rainbow.
In Chicago, Ana Gestayer, a former Saturday Night Live cast member who satirized Martha Stewart, Hillary, and Celine Dion, delivered a spellbinding performance as Elphaba. When she sang “Defying Gravity,” I had frissons. I realized that this actress was much more than a comic. She had great stage presence, a powerful voice, and verisimilitude.  My husband, who seldom attends musicals with me and whose music tastes lean toward blues and country, said he loved the music.
Last night I attended the performance of WICKED at the Fox Theater in Atlanta. Mamie Parris debuted as Elphaba. She is a distant relative of Samuel Parris who persecuted witches in 17th century Salem. Such irony. A born-green idealist, Elphaba learns that her overbearing, unaffectionate father is not her real father. Her relationship with her handicapped sister is ironic; they are both handicapped physically in different ways, Helspeth by her greenness and Nessarose by her wheelchair. Their relationship is complicated.
The first act finale will take your breath away. Elspeth belts out “Defying Gravity” as she is lifted higher and higher into the air to proclaim her newfound independence. You see nothing on stage but her, then the stage goes black. I was frozen to my seat.
So much of this play is smoke and mirrors-deception, trickery, conjuring, and pretense. The wizard, of course;  Elspeth’s mother because of her indiscretion, Madame Morrible [play on word horrible, as in her horrible mispronunciations, horrible deceit, and horrible self-serving attitude], and especially the theme of what is good and what is wicked.
Ga-linda, the Good Witch, who renames herself Glinda when Dr. Dillamond [goat] cannot pronounce her name, played by Amanda Jane Cooper, is hilarious. The powerful voice that emanates from her tiny body defies nature. She’s a dizzy, popular, peppy prom queen, a self-absorbed, superficial brat, and a vamp whose malapropisms define her spaciness. Her dumb blonde persona reminded me of Reese Witherspoon in LEGALLY BLONDE. She and Helspeth become unlikely friends, and their show-stopping harmonies pull together the fact that they are classmates- roommates, friends- enemies, beautiful-strange, and diminutive-powerful.
For the first time in my life, because of the thoughtfulness of a friend, I was able to tour backstage after the performance. The dismembered sets, lifts, trapdoors, and other stage equipment were huge and mindboggling, and ugly. I realized how much the interplay of light, music, and imagination created a sense of wonder.
As our group stood among the mammoth sets, at an appropriate time, I asked the guide if I could see Glinda’s shoe rack. He commented that no one else had ever asked that question, as he and a gaggle of gay guys in our group eyed my zebra Rocket Dog stilettos. I saw it. OMG!! But . . .the shoe display that on stage appeared ten feet high, lined with dazzling shoes on every shelf, was small, and dusty, and worn. He warned me not to touch it. I was still elated.
I then asked to see Glinda’s $14,000 bedazzled gown and Elspeth’s wicked witch costume. He led us into a curtained area where some lesser costumes were hung on racks. He explained the task-oriented costuming. We then walked into a special adjoining area where I secretly touched Glinda and Elspeth’s costumes. I wanted to take pictures but my daughter and her friend had all their arms wrapped around my body. Unbelievable experience.
Viewing any entertainment at the Fox is always a memorable experience, but this $14 million production was mind bending. The Stephen Schwartz score, particularly Parris’ “Defying Gravity,” recently sung on the TV show GLEE, brought the audience to its feet. The themes of friendship, love, the true nature of beauty, and the question about whether wickedness is innate or learned resonate on every level in every act.

Wednesday, September 28, 2011

LETTERS FROM THE EARTH Mark Twain

I read Mark Twain’s LETTERS FROM THE EARTH when I taught Honors American Literature. Far too controversial for the high school curriculum, I told interested readers about this work published posthumously, because Twain never expected it to be published.
I was amused by the sacred cows Twain satirized in this work. His defense of atheism, the testament to man’s frailties, controversial, although humorous, was censored for some time. The same students I taught the following year in World Literature who had read LETTERS FROM THE EARTH on their own recognized in our study of Voltaire’s CANDIDE a similar kind of irreverent humor. I could not, in a million years, have included Twain's text in my high school class syllabus.
Twain’s text begins with a a description of “the Creator . . . , the Presence  . . . , the Divine One,” a colossal figure, sitting on his throne in Heaven, “lifting His hand” magically creating suns, and thus light, a common theme in the book of Genesis.

The three archangels, Gabriel, Michael, and Satan engage in a dialogue about the Creator’s “Law of Nature . . . Law of God” and are stymied by the word animals. “What is [sic] animals? ” Satan inquires of Gabriel.
“Three centuries later, celestial time . . . 100 million years in earthly time,” a Messenger shows specimen of animals and the Creator explains that they are an experiment in “morals and conduct.”  Satan, the banished archangel, in eight letters to the archangels Michael and Gabriel, realizes that these animals devour each other, are killers and murderers as he realizes the theme of survival of the fittest.
Satan questions “The Law of God” as to the creation of Man. The Divine One describes the qualities of the nature of man as “courage, cowardice, ferocity, gentleness, fairness, justice, cunning, treachery, magnanimity, cruelty, malice, malignity, lust, mercy, pity, purity, selfishness, sweetness, honor, love, hate, baseness, nobility, loyalty, falsity, veracity, untruthfulness.”  
Satan’s letters include ridiculing Man who would never sing in public invent a Heaven, “where everybody sings and plays a harp,” and the foolishness of their beliefs such an amazing Heaven with no sex, when they risk losing Heaven because of their desire to have sex at all costs. He says that man created modesty where “European ladies cover their ankles and expose their breasts.” Noah, he claims, saved flies but left countless humans to die. He blames the Father for allowing Man to wage war, and in the same breath, create the Beatitudes.
“Papers of the Adam Family” contains “An Extract from Methuselah’s Diary,” a discourse between Adam and Eve, and other blatant jibes at prophets, professors, and politicians.
The chapter, titled “Letters to the Earth,” is a tongue in cheek letter delivered to a coal dealer in Buffalo, New York, from “the Office of the Recording Angel, Department of Petitions.” The Angel lists the coal dealer’s selfish and ridiculous petitions to the Divine One, affirming the dealer’s “good deeds” such as donating $15 to a needy widow with three children when his profit for the month was $45,000.
In “The Damned Human Race,” among Twain’s topics are his poking fun at scientists and geologists’ revelations on the history of man, the intelligence of God, man’s persecutions of heretics, religions, women, savages, the sport of hunting animals, and proposes that Darwin’s “Ascent of Man”  should be titled “Descent of Man.”
Religious commentary is not the only subject of this text, although it is perhaps the most humorous. One of the funniest subjects is Twain’s "Manual on Manners," at a funeral, at a fire, such as the appropriate order in which to rescue people from a burning building [mother-in-laws last], and the rules for visiting cards [obviously a long gone tradition of etiquette]. Chapters on Spelling, “A Tramp Abroad: the French and the Comanches,” and James Fenimore Cooper’s prose style, compose a number of other chapters.
Twain, a well traveled writer presents a hilarious, irreverent, pessimistic view of man that attests to his satirical talent. His witty introspections will entertain you and make you laugh out loud.

Tuesday, September 20, 2011

THE GIFT OF FEAR



"This book can save your life." Gavin De Becker

"[It] should be read by everyone who wants to triumph over fear."  Scott Gordon, Chairman of the Domestic Violence Council

I read this book after listening to an interview Mr. De Becker gave on the TODAY sand OPRA WINFREY shows. " Every story in the book is true. Men in all parts of the world are more violent than women. For this reason, the language in the book is gender-specific to men," notes De Becker.

His first example, and an incident he refers to many times in this book involves a woman named Kelly, who moves up the stairs to her apartment. She discovers that her door is unlocked: "the neighbors don't get it, she thinks. But carrying two bags of groceries, she is thankful she doesn't have to fish her keys out of her purse. She locks the door after she returns to her car to retrieve more groceries. As she approaches the fourth floor, one of her grocery bags breaks open, and cans roll down the stairs. 

A man approaches her; his arms are filled with cans. He told her he was going to the fourth floor as well. Her immediate reaction was apprehension, but he seemed so nice and helpful. He noticed cat food in one of the bags. He told her that if she had a hungry cat in her apartment, he would offer to carry the cat food in her apartment after she unlocked the door. She thanked him and hoped he would leave.  He promised her he would leave, but he didn't.

Kelly suffered a rape during a three hour attack. She admits that she found out later how he stabbed another woman to death. Kelly was twenty-seven years old at the time of the attack. She was a counselor for disturbed children and was unable to go back to work. When she met with De Becker, she told him that intuition had saved her life. When he went to the kitchen to have a drink, she escaped. She remembered how he had closed the window. She realized he had done that to keep the noise from other people.  Because Kelly had courage and followed her intuition, she survived.

De Becker notes that "more people were killed in the Viet Nam war than Americans who died from gunshot wounds. . . .Americans murder rate is ten times worse than that of other Western countries . . . . Nineteen children died in the Oklahoma bombing, but seventy children died that same week at the hands of a parent . . . four million children were abused in the year before, not an unusual occurrence."

De Becker relates how he counsels people who are concerned about their safety or have suffered violence by others. He asks them if they had any intuition or noticed subtle warnings.

He discusses the violence he and his mother suffered at the hands of his stepfathers and how his mother tried to commit suicide. He says, "his ghosts had become his teachers."

Gavin De Becker designed the MOSAIC assessment system designed to screen threats to Supreme Court justices. He trained hundreds of New York police detectives how to assess domestic violence. He trained those in government agencies, including the CIA. His other clients are prosecutors, corporations, movie stars, athletes, recording artists, college students and many more.

Fear and intuition help people because of their survival instincts. They sometimes unconsciously understand signals that are threats. De Becker tells clients to "listen to yourself . . . predict the danger you are in by noticing clues such as understanding that perpetrators may look like ordinary persons, such as Ted Kraczynski who became a brutal serial killer. Neighbors thought that he was normal and reporters thought so, too.
De Becker devotes an entire section of a chapter to charm and niceness.  Children are lured by strangers who offer them gifts, adults ignore the signals of strangers who approach them and men who tell them that you are too snobbish to talk to them, so you talk to them to prove that you are friendly.

Different categories of perpetrators are outlined so people can recognize the signs This 400 page best seller, trains readers to use common sense and feelings of fear to survive violent attacks.  Recognized as the leading expert on violent behavior, he trains how to protect themselves..

Read this book, buy it for family member, and suggest it to friends and acquaintances.  The information in this text may save their lives.



Monday, September 19, 2011

MEMORIES OF LOREAUVILLE, LA


MEMORIES OF MY HOME TOWN, LOREAUVILLE, LA 

Few people I have met over the years have had the privilege of growing up in a village as wonderful and nurturing as Loreauville. During my forty year career as an educator in three states and twelve schools, I introduced myself to my new students on that first day of class by relating some of the following vignettes of my years growing up in Loreauville.
They were spellbound by my heartfelt stories about
amazing teachers, nuns and priests who guided our social and religious development
• the anomaly of being served delectable cafeteria food
• being taught to drive by my paternal grandfather who propped me up on a huge road grader
• convincing the principal to let me drop a physical education class so I could take an additional academic class
• wading in knee deep water on Main street after a torrential rain
• being enveloped in insecticide as we chased those “mosquito-spraying” trucks
• eating organic food [fresh vegetables, fresh milk, and all manner of meat and fish] dad obtained bartering with customers
• plucking kumquats and mandarin oranges from a friend's yard
• playing marbles and handling snakes
• collecting flattened pennies from the railroad track

• shopping for school clothes at my grandfather's General Merchandise Store,
• keeping track of the summer reading books I checked out from the public library
• being taught to dance by our household help
• riding horses

• skiing at Lake Dauterieve

• jitterbugging
• driving my granddad's black Bat mobile recklessly around town with my friends as they recited Hail Marys in the back seat

• wearing couture dresses fashioned by my artistic, talented grandmother to prom
• sitting on the porch swing at my best friend's house, pretending we were famous actresses
• checking the cash register at my dad's business to figure out how much his other daughters were extracting from the till
• being mentored in flute and piccolo by the principal's son

• wearing hats and gloves to Sunday mass
• drinking cokes with our family at a neighborhood bar after mass

• eating lunch at Masso’s
• sitting on bar stools watching Mr. C cook hamburgers
• watching Mrs. C painstakingly repair rosaries
• dancing to the jukebox
• speeding away from our only policeman  as he tried to hunt me down for any manner of traffic violations
• riding the bus to school so I could socialize with friends
• dating my first love
• laughing at Robbie’s jokes as we commuted to USL for summer sessions
• watching my great uncle repair horseshoes in his metal shop
•  enjoying the scented smoke from uncle's cigars

• tasting a slice of ham from my grandfather's meat deli
•  being awakened by the scent of gardenias wafting up to my bedroom window
• hanging freshly-laundered clothes on  clotheslines in the back yard
• singing “Lullaby and Good Night” to my baby brother  as I rocked him to sleep
• watching my youngest sister chomp on  newly-purchased tube of lipstick
• drinking fresh rain water from grandmother's cistern
• acting as an angel in the May religious observance of the Holy Mother
• serving as a Hail Mary rosary bead on the football field as our pastor recited the rosary

• sitting on my godmother's porch poring over beautiful clothing from Spiegel’s
• listening to my Catholic mother remind me that Jesus or the Kennedys might visit so I would clean the house extra well
•  listening to our talented neighbor play a rousing ragtime rendition on her piano
• participating in a minstrel at the church hall
• being scared stiff by grandmother as she navigated Main Street by driving on the sidewalk to buy fabric at a local store

• listening to a town character talk about  myriad  subjects and watching him drive away on his brightly festooned bike
• spending the night at a classmates' house at a nearby lake
• cramming for tests in the First Aid room near the stage during recess and lunch
• being anesthetized by the smell of the oil-mopped floors at our high school

• tasting succulent sugar cane stalks plucked from a cane field
• picking pecans in the fall
• being assaulted by flit can spray during mosquito season

• and my most-treasured memory, being nestled in a cocoon of safety, warmth, support, and encouragement by my village family and friends



My students were instantly mesmerized as I recalled memories of my growing up years, and thanked God that this was going to be an easy class, not so. I taught a World Religions Gifted Honors class: holy books and epics on a worldwide scale--Old and New Testament studies, Sumerian and Egyptian literature, Hinduism, Buddhism, Taoism, Zoroastrianism, Persian-Arabic, and Chinese-Japanese studies.


My challenge was to engage and excite these students to reach beyond their comfort zones, to obtain an understanding of the importance of religion and history on a global scale, and to inspire them to love learning. And so, I told them specifically how my small town education had inspired and motivated me to life-long learning.


I recollected for them how my educational life was framed by my nurturing and sometimes excitingly eccentric teachers:


• Mrs. Gonsoulin, who in first grade, taught memorization with her piano playing sing- alongs and read memorable stories.


• the spinster Boutte sisters: dark-haired, stout Antoinette, who taught students to memorize and recite history passages,


• and her gray-haired sister Camille, who began every class with a dose of powdered B.C. powder poured into a coke bottle. One day we noticed she skipped the medication and promptly snipped off, with scissors, a peeking slip strap that refused to stay inside her dress. She was a solemn woman who loved us and taught us to love reading.


• Mrs. Segura, a perpetual dieter, ate boiled eggs every day, and to this day, I loathe the smell of eggs. A fantastic teacher, she taught learning strategies, organizational skills, and self-esteem through her lessons on the importance of note-taking, organizing notebooks, and individual student presentations. I still have the family history project she assigned.


• Mr. Dressel, affectionately labeled Mr. D, taught me that good teaching involved knowing students’ learning styles. I developed a subdued interest in science, and I studied relentlessly, so I could make A’s in biology and chemistry, because I knew those classes were important. My forte was always English classes. And to this day, I realize how much content I remember from his classes, and how his unique teaching ability to create camaraderie among students helped us to work together as a class and helped me to realize the importance of knowing my students.


• Mrs. Gerhardt appeared later in my high school career. As Mom Wick would have noted, “She is an Ah-mer-ee-kan [sic], ” meaning that she was not a resident of Loreauville, an outsider. But what an amazingly mature climate she created in our English classroom! I had always loved reading, but she was able to inspire me to appreciate the nuances of literature that most students would not be able to discern. I realized later how she created an atmosphere of mutual respect between student and teacher.


• Mrs. Lalonde, my Home Economics teacher, taught us civility, femininity, style, modesty, moderation and sewing, and cooking in her Home Economics classes. I made a lined wool suit as my senior project. When I first married I sewed all my clothes, my children’s clothing, and created all the window treatments for our many homes. Today Home Economics teachers are seldom part of the curriculum in large schools. What a treasure she was! She administered essay tests on home economics content [writing], showed us how to follow recipes [math], taught us how substitute ingredients [science], how to hide figure flaws [remember her postage stamp girdle? I always envied her tiny frame], taught us how to set a formal table, encouraged us to enter sewing and cooking competitions, and to use fresh ingredients in recipes. I still use my Home Economics book to this day. She asked me to study for district Rally competition at USL. I escaped to Mom Wick’s house, locked myself in her guest bedroom for an entire month one summer, and studied for months, pouring over lecture notes, books, and demonstration notes. I won first place at USL, then first place at State completion, and was awarded the Betty Crocker Homemaker Award my senior year. Mrs. Lalonde taught Home Economics 1-4 in a four-room white cottage attached to the school by a walkway.


• Mr. Lissard was a phenomenal math teacher. As a particularly right-brained learner, I struggled in math classes and had to work particularly hard to rise to the challenge. He gave good explanations to those of us who may not have caught on immediately to a math concept. He taught me that not all students learn the same way. It was the first exceptional challenge I had in my entire high school career. And, he drew football plays on the board; football players in his classes must have served as a particular challenge to him since he was head Coach for many years. I had the privilege of learning football concepts as well. Today educators use the term multi-dimensional learning to describe a class such as this.


• Mrs. Olive Shaw,our British Literature teacher, loved Shakespeare. I remember reading Macbeth, unedited and unadapted, in our senior year. Many years later when I taught British Literature to my students, I told them how I struggled with Shakespeare’s language in high school but came to appreciate the mastery of his language later in life as I poured over all 37 plays during my teaching career. I showed them my high school English textbook, and they wanted to know why there were no pictures. Mrs. Shaw had us recite lines, broke the play down into segments [today called chunking], and assigned lines that we had to explain in front of the class. She expected us all to read the play and come to class prepared. Some students, thinking she would not notice, read the comic book or Cliff Notes versions of Macbeth. From her class, I learned to inspire students to challenges and to eviscerate a student verbally in a nicely-worded manner.


• Ms. Breaux, the LHS librarian, was an enormously powerful force in the Loreauville community. As the public school librarian and community activist, she knew all of us, or parents, our friends, and our acquaintances, much more than we expected anyone to know about us. She was omnipresent—we couldn’t escape her. She attended meetings, church events, hunted us down in classes, followed our extra curricular school activities and served as a prototype of the Renaissance man. Encouraging us to read and learn was her forte. She brought the outside world into our lives by suggesting reading titles and scheduling slide show presentations at the church hall from her world travels. I marveled at her ability to use media other than books and pictures at a time when media presentations were not the norm. She kept us on task when we used resources in the school library and prevented any sort of shenanigans students had in mind. She taught me about classifying books by explaining the Dewey Decimal System. I had three majors in college: English, French, and Media, at a time in the sixties before the arrival of the Information age. She encouraged, motivated, and cajoled me to learn beyond my greatest expectations. I often wondered how she maintained such a vigorous, healthy lifestyle and an amazing physique. She was at the forefront in our town in terms of meditation, travel, gardening, reading, and learning. I marveled at her quest for knowledge. She wanted to master everything she learned. I recall her asking my grandmother, an expert seamstress, to help her learn to sew. She took canning classes at the school cafeteria and showed us how to pray to specific saints for important causes. She was not subtle; she did not mince words, and although her strong personality may have offended some people, I loved her the way a child loves a mentor. All of my teachers inspired me, but she is the reason I chose teaching as my lifelong profession.



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Thursday, September 15, 2011

MAN'S SEARCH FOR MEANING - VICTOR FRANKEL


Psychiatrist Victor Frankle endured many years of horrific conditions while he was imprisoned in Nazi death camps in 1945, in Theresienstat, then Aushchwitz, because he was a Jew.  His mother, father, and brother were killed in these camps. Because of his immense suffering, Frankel developed a form of psychotherapy known as logotherapy. His premise is that the force behind man’s motivation is his search for meaning.

Frankel notes that injustices to man are made tolerable by man’s ability to draw on thoughts and memories of family and persons who they had meaningful relationships with, by religion, dark humor, and nature. He mentions one woman who is fated to die and how she stares at a blossoming branch of a tree and speaks of its ability to make her realize that she is alive at that moment. She had to find a reason to cope with her circumstance.

 Being shuttled into train cars, 1500 traveling with meager possessions for several days the prisoners were mortified when they arrived at Auschwitz. Robbed of their possessions and packed into small places, they were fed a small piece of bread every four days. Prisoners were chosen randomly to be sent to the crematoriums. Those who survived forced every plausible method to hang on to sanity: stories, poems, songs, and dark humor .

Frankel quotes writers who discuss the concept of suffering:  Dostoevsky, “not to be worthy of my suffering”, Spinoza, in ETHICS, “Emotion ceases to be suffering as soon as we form a clear, precise picture of it,” Tolstoy, Nietzsche “that which does not kill me makes me stronger,“ Doris Lessing, and Schopenhauer who wrote about “freedom from suffering.” He says that man who has suffered need not fear anything more than his God.

Devoting  an entire chapter to logotherapy, Frankel discusses how logotherapy helps people to reverse their attitudes about their weaknesses or adverse psychological conditions. A stuttering boy found himself using his stuttering to elicit sympathy  by showing he was just a stuttering boy, and by this experience was able to stop stuttering. I have related the complicated concept of logotherapy in a very concise manner. To do justice would take a more extensive explanation and synthesis.

Frankel ends the text with this quote “Since Auschwitz we know what man is capable of, and since Hiroshima, we know what is at stake.” Men can and should do what is in their power.  

He comes to the conclusion that everyone needs a strong goal in life to overcome the worst circumstance. Man needs to have an unconditional faith in the search for meaning in life. 

[A Catholic priest recommended this text. Even though Frankel discusses in a narrative format his experiences in death camps, this is not an easy read.]



Thursday, September 8, 2011

FALL OF GIANTS Ken Follett

Ken Follett's 2004 PILLARS OF THE EARTH, at 976 pages, follows the lives of master builders during the construction of a Gothic cathedral during the Twelfth century.


Another of his medieval epics, WORLD WITHOUT END, over 1,000 pages, takes place over seven centuries ago, and follows the a family of builders through their personal lives as they deal with the plague, the abuses of the church, and how bad people smelled before the invention of deodorant.


FALL OF GIANTS, 985 pages, is the first book in his projected trilogy of the Twentieth Century. The time span of this novel, from 1911 to 1924, portrays the fall of the Giants, the crowned heads of Europe, and the fates of five families from Wales, Germany, England, Russia, and America. A cast of characters, six pages long, is presented at the front of the book.


The major battles of World War I and the Russian Revolution provide a backdrop for Follett to tell the story of eight fictional families, rich and poor, living through these historical times. Oppression of the classes, suffragettes in London organizing to promote the vote for women, and liberal thinking as opposed to the conventional thinking of the old generation serve as themes. In this history lesson Follett weaves actual political events, real historical characters such as Presidents, statesmen, kings, queens, princes, politicians, and members of Parliament in a readable but very, very long story ---lots of drama, lots of history, and lots of words.

I studied history and civics many, many years ago, so my grasp of the political events, especially the wars, is tenuous. I remembered why the assassination of the Archduke was relevant, but I did not remember the terrible implications it had for the political arena in England, Germany, Russia, and America.


Sip a cup of tea, a slap of vodka, a shot of jaegermeister, or a martini to get you started on this door stopper of a book. It will be a long, long read.



Thursday, September 1, 2011

YOU CAN'T GO HOME AGAIN


Thomas Wolfe wrote YOU CANT GO HOME AGAIN as a fictional work.  Stories emerged after the novel was published that his editor had done much of the writing. It does not matter because this book, written about America’s loss of prosperity, especially during the stock market crash, explores the themes of loss, of 
regret, and of failure, and of innocence lost.

George Webber, the protagonist says, “You can't go back home to your family, back home to your childhood ... back home to a young man's dreams of glory and of fame ... back home to places in the country, back home to the old forms and systems of things which once seemed everlasting but which are changing all the 
time — back home to the escapes of Time and Memory."

I recently thought about this novel published posthumously as I remembered my experience with leaving home. As we age, we often feel a desire to go return to our childhood fantasies, to growing up feeling secure and appreciated, and to the small town environment where everyone knew you.

I took home memories when I left at twenty-one years old. 


I also took the experiences of growing up in a huge Catholic family, riding the bus to school, even though I lived just a few blocks away, pedaling my bike at night from my dad’s business to my uncle’s general merchandise store, walking on the blacktopped streets, huddling in the high school while hurricanes threatened to flood our town, eating Sunday dinners with my family and boyfriend, watching movies at the local drive in theater, playing flute and piccolo in band, going out with friends, smelling the scent of sugar cane being processed at the mill, and learning to cook under the supervision of my grandmother.

When I visit home, I still see the one stop-light town I grew up in. I remember vividly the small, family owned grocery stores, the gas stations, dry cleaners, pharmacy, Catholic Church, and especially the farming community that provided a lucrative livelihood for amazing men who knew the science of the earth and gained respect in our small town. 


Most of my best friends are gone to live in big cities. Some have stayed, but the busyness of our lives inhibits visiting.

I go home now to see my eighty-seven year old mother.  I know she won't be here much longer.We sit on the front porch swing and watch cars go by on Main Street, talk about her past, and comment on how the landscape has changed. 

I remind her about the time she wrote a society column for a local newspaper, delegated chores to her children so she could take coffee breaks, kept the books at my dad’s garage, put the radio on while we ate breakfast so we could listen to fairy tales, and master-minded community clubs and organizations with a vengeance. I called her the godmother of the Cajun mafia. Do it her way or not at all.

Her only brother was given the opportunity to attend college because, in the forties, most women married and stayed home to raise families. She has verbal abilities and artistic talent that was seldom recognized. She gave me a journal of her early 1940's high school years. I found over 100 journals hidden in plastic boxes all over the house. I kept some of her drawings, mostly profiles of beautiful women she must have seen in movies. Those are the memories I cherish.

Thomas Grey, a British poet, wrote an elegy about his hometown, the small village of Stoke Poges, in the United Kingdom. In ELEGY IN A COUNTRY CHURCHYARD, he laments the fact that the villagers may have had great ambitions, intelligence, and amazing talent, but their lives were stifled because of lost opportunities, their inability to become educated or escape their lot. He says,

"Full many a gem of purest ray serene


The dark unfathom'd caves of ocean bear:


Full many a flower is born to blush unseen

And waste its sweetness on the desert air."


My mother was a "flower to blush unseen." She had amazing 

potential. Had she been given  the chance for intellectual 

stimulation, training, or schooling, as Gray says, she "might have 

waked to ecstasy of the living lyre." 
 


Those of us who have left with memories of home take with us 


vignettes of our lives. We can’t go home again, but we can treasure 


what we left.